La mirada - how to use your focus to change the way you dance

 
 

Something that doesn't get talked about very often is how you can use your eyes when you dance. 

The audience will most likely notice your expression (eyes) and whether your head is coordinated with your arms and the rest of your body before noticing anything else.

First of all, we've got a little lesson to help you try some of the things we’re about to talk about in this post. Just click the button below to grab it. It’s free!

There are really two things to think about here.

Movement of the head

Let's assume that you are starting with your head already in a good position.

That means correct alignment of the head with it balancing “effortlessly” on top of the spine.

If you were to dance everything looking straight ahead in front of you your dancing would appear very flat. Almost as if you (the you that is inside dancing) were detached from your body.

Adding a movement of the head as you perform footwork or marcaje will give a feeling of wholeness to your movement. It is as if the head moves naturally in response to what you are doing with your body.

In many cases it is a natural movement but in the beginning the position of the head is something that needs to be trained very carefully and thoughtfully.

Using your eyes

When you dance and move your head do you actually look at something?

If you are accustomed to dancing in front of a mirror, you might find that you always look at yourself or other dancers out of the corner of your eye.

This is necessary when you are trying to learn a new step (I do it all the time) but if you do this when you are really dancing you will be disconnected from the movement you are trying to do. 

At some point you need to let go of that visual validation and feel the movement inside yourself.

'Cuando bailas miras'

This is the phrase that José uses in class.

'Cuando bailas miras' - when you dance you look.

That means that when you turn your head towards any particular direction you actually see something and look at it with focus and intention.

This one thing, 'looking and then actually seeing' makes an enormous difference to the quality of your dance and allows the audience to see the connection and thought behind your movement.

Thinking about changing the position of your focus instead of thinking about the physical action of moving your head will also make it easier to move your head accurately.

It is easy to forget about your eyes, particularly because we are all so entranced with the mirror in front of us, but if you can become more aware of how you use your focus as a part of your whole body movement you will start to find new connections and sensations when you dance.

If you'd like to try some exercises which focus on how you use your head we have got two that you can try straight away. Just click the button below to get your hands on them.

Have you had the opportunity to think about how you use your focus when you dance? Do you have any questions? Leave them for us below and we'll try to help!